Emilio Vavarella THE GOOGLE TRILOGY | Report a Problem. 2012

“From Commons to NFTs” is an (expanded) writing series initiated by Shu Lea Cheang, Felix Stalder & Ewen Chardronnet. Cautioned by the speculative bubble (burst) of NFTs, the series brings back the notion of commons from around the turn of the millennium to reflect upon and intervene in the transformation of the collective imagination and its divergent futures. Every last day of the month during the next six months Makery will publish a new contribution of this “chain essays”. First text by Felix Stalder. Further contributions by Yukiko Shikata, Michelle Kasprzak, Jaromil (Dennis Rojo), Cornelia Sollfrank, Tzu Tung Le, and Jaya Klara Brekke

“Digital Unconscious – Nervous Systems and Uncanny Predictions!”
Autonomedia 2021: ISBN: 978-1-57027-387-2 193 Pages
Eds: Konrad | Becker, Felix Stalder

In hyper-normal hybrids the boundaries between man and machine have dissolved. Inside their nervous systems lies a strange but fascinating theme: the digital unconscious. Which forces act through algorithmic processes? What secrets be found in the shadowy realm of technology, welded to human nervous systems? How can the complexity of these relationships be described and what forms of access can cultural approaches offer?

So, I finished reading "The Dawn of Everything", the new book by David Graeber and David Wengrow. In many ways, it's the perfect book for our dark historical moment. It's all about historical possibilities, yet not in the future, but in the past. Thus, an escape and an inspiration. It's an amazing read, so full of detail that's impossible to summarize. You really should read it yourself.

I'll just focus on the structure here. The book aims to deconstruct the dominant linear narratives of human culture, in which the "agricultural revolution" (which wasn't a revolution in the sense of quick and radical change) and the emergence of cities (again, a multi-directional (back and forth), rather than linear development) inexorably lead to inequality, domination, and "the state". There are two conventional versions of this story: the loss of freedom/equality (Rousseau, Hariri, etc) or the gain of civilization (Hobbes, Diamond, etc). Graeber and Wengrow argue, in dizzying archeological and anthropological detail, that both are wrong and severely curtail our imagination of social potential. Their baseline assumption is that humans since the neolithic are our cognitive equals. No more, but also no less intelligent than we are, hence also no less capable of making decisions about their own lives, individually and collectively. So, no more treatment of foragers as semi-apes living in small bands, unable to overcome supposed constants like Dunbar's 150 people group threshold (if it gets larger than this social stratification sets in).

A "carnival parade" of social forms

With all eyes on #COP26 I've seen the failure to regulate effectively CO2 emissions referred to as "tragedy of the commons" evoking Garret Hardin's (in)famous 1968 article of the same title. But don't do this.

I know it's suggestive. Because it seems to be pretty much the situation Hardin described: privatized gains and shared losses provide a strong incentive to overuse a resource, here the amount of CO2 that can be released in the atmosphere, to the point where the resource collapses and "brings ruin to all."

However, to call this the tragedy of the commons is completely misleading because Hardin's article was so deeply flawed.

First, commons are communal institutions to manage a shared resource for long-term use by its members (Elinor Ostrom won a (kind of) Nobel Price in Economics for showing this). What Hardin describes is the lack of a commons, not the failure of the commons. He makes this error strategically because he then proposes two solutions, state intervention or privatization.

Hence, the COP26 reveals is the failure to create institutions of shared stewardship, but there is no alternative because there is no "superstate" to intervene and the atmosphere has so far resisted attempts at privatization (though we might be getting there).

Hardin himself corrected his article 25 years laters, narrowing it half-heartedly to "The tragedy of the unmanaged commons" which makes as much sense as speaking of 'leaderless hierarchy' as commons are about communal management as much as hierarchies are about creating leaders.

“Was liegt daran, wer spricht?” Michel Foucault wollte bereits 1969 kein weiteres Mal das Verschwinden des/der Autor:in konstatieren, tat es dann aber doch wieder. Und etwa so lange dreht sich auch die Diskussion um Autor:innenschaft im Kreise, nicht zuletzt deshalb, weil auch die Kritik den/die Autor:in als Figur ins Zentrum stellt und wenn nur als Leerstelle, die es zu untersuchen gilt.

In einem der aussergewöhnlichsten Bücher der politischen Philosophie der letzten Jahre dreht Gerald Raunig Foucaults Frage um, ohne sie je direkt zu erwähnen. Als Problem erscheint nicht mehr der/die Sprechende, sondern die Sprache selbst. Denn es ist in der Sprache – als Struktur wie als Praxis – in der sich das Subjekt konstituiert. Dieses Subjekt ist heute dividuell, endlos teil- und wieder zusammensetzbar in der grossen Datenbanken der digitalen Konzerne, algorithmisch konstruiert, reibungslos und umfänglich verfügbar für smarte Strategien der Kontrolle und In-Wert-Setzung. Die hegemoniale Form, in der sich diesse Prozesse vollziehen, ist die Quantifizierung und das Ziel ist Optimierung.

A semi-virtual roundtable to celebrate the 25th anniversary of the publication of the first volume of Manuel Castells' The Information Age: Economy, Society and Culture. Castells, Professor of Sociology at the UOC, gave the opening lecture.

Die Student:innen des Studiengangs "Kultur der Metropole" der HafenCity Universität in Hamburg hatten mich zu einem Gastvortrag zur Digitalisierung und Stadt eingeladen. Während des Vortrags haben sie gemeinsam diese Mindmap erstellt. Ein sehr schönes Verfahren des gemeinsamen Notierens.

We are very happy to publication of our book "Aesthetics of the Commons"

What do a feminist server, an art space located in a public park in North London, a ‘pirate’ library of high cultural value yet dubious legal status, and an art school that emphasizes collectivity have in common? They all demonstrate that art can play an important role in imagining and producing a real quite different from what is currently hegemonic; that art in the post-digital has the possibility to not only conceive or proclaim ideas in theory, but also to realize them materially. The underlying social imaginaries ascribe a new role to art in society and they envision an idea of culture beyond the individual and its possessions.

ABSTRACT

Zwei sehr schöne Maps meines Buches "Kultur der Digitalität sind mir zu Gesicht gekommen!

Die erste von Adriano Montefusco, via miro.com. Die zweite von Vinzenz Rast, handgezeichnet!

Danke. Definitiv übersichtlicher und leserlicher als mein Mindmap. pic.twitter.com/LSQhgwvlS6