
14-16.05. The Digital Green Society (Belgrade)
10 May, 2023 - 09:32 by felixThis will be a first for me. I'm giving an artist's talk! About our "Infrastructure of a Migratory Bird" which will be shown in the exhibition which is part of this fantastic conference. I'm looking very much forward to it.
31.03. Unreal Data. Public Conversation (Rijeka)
30 March, 2023 - 11:14 by felix13.03. “Civilization, Technology and Consciousness” (Bitwäscherei, Zürich)
10 March, 2023 - 08:54 by felixBitwäscherei Zürich, 13.03. 20:00
“Civilization, Technology and Consciousness”
Peter Lamborn Wilson / Hakim Bey
Film presentation and discussion with Felix Stalder.
04.03. Civilization, Technology and Consciousness (Athens)
27 February, 2023 - 17:50 by felixAthens: Embros Theater, March 4
“Civilization, Technology and Consciousness” Peter Lamborn Wilson / Hakim Bey
A video by World-Information.Net, Konrad Becker/Felix Stalder Camera: Fred Barney Taylor, NY Support: Jim Fleming, Lewanne Jones, Postproduction: Georg Schütz, Sound: Konrad Becker, (57min. 2022)
02.03. Civilization, Technology and Consciousness (Screening, Vienna)
27 February, 2023 - 17:36 by felix28.02. Research Day (Zurich)
27 February, 2023 - 17:28 by felix
I will present the research project "Latent Spaces. Performing Ambiguous Data" as part of the Research Day at the Zurich University of Arts.
03.02. Structures of Belonging (Post-script to Commons to NFTs) /rosa (Berlin)
28 January, 2023 - 12:07 by felix/rosa
Rosa-Luxemburg-Str. 35, 10178 Berlin
➠ Friday, 3 February 2023 at 17:00
➠ Presentation of the new issue of PostScriptUM: Structures of Belonging by Martin Zeilinger
· Martin Zeilinger in conversation with Penny Raffery
· introduction by Felix Stalder
31.01. Winterschool Coded Environments (Lausanne, CH)
23 January, 2023 - 20:47 by felix12.11. From Commons to NFT, Confernence and Book Lauch (Ljubliana)
20 October, 2022 - 13:35 by felixThis conference brings together artists, hackers and researchers to critically examine the shift in digital culture from open sharing to crypto-based forms of ownership. Is this the ultimate triumph of financialisation, or are there openings for different property regimes and thus new forms of art and culture?
I'm one of the editors of the conference and the book with the same name we will be launching as well.