cooperation

The Linux Foundation has released a document called "How to Participate in the Linux Community". This gives a detailed picture of the practicalities of radically distributed development, its scale and the methods which evolved to handle that. See also this article on ZDNet.

1.2: WHAT THIS DOCUMENT IS ABOUT

The Linux kernel, at over 6 million lines of code and well over 1000 active contributors, is one of the largest and most active free software projects in existence. Since its humble beginning in 1991, this kernel has evolved into a best-of-breed operating system component which runs on pocket-sized digital music players, desktop PCs, the largest supercomputers in existence, and all types of systems in between. It is a robust, efficient, and scalable solution for almost any situation.

With the growth of Linux has come an increase in the number of developers (and companies) wishing to participate in its development. Hardware vendors want to ensure that Linux supports their products well, making those products attractive to Linux users. Embedded systems vendors, who use Linux as a component in an integrated product, want Linux to be as capable and well-suited to the task at hand as possible. Distributors and other software vendors who base their products on Linux have a clear interest in the capabilities, performance, and reliability of the Linux kernel. And end users, too, will often wish to change Linux to make it better suit their needs.

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This is an older text, from 2005, but it's still one of the best on the issue of the paradoxical relationship between the attempts to privatize knowledge and its inherent tendency to be social, because it's based on a shared language.

The gentrye are all round, on each side they are found,
Theire wisdom’s so profound, to cheat us of our ground
Stand up now, Diggers all.
The Diggers’ Song, Gerrard Winstanley & Leon Rosselson

First Monday published my paper in its current edition. Below is the abstract, the full text is here

CNET June 29, 2008

This work is licensed under a Creative Commons Attribution-Share Alike 2.5 License.

How would culture be created if artists were not locked into romantic notions of individual authorship and the associated drive to control the results of their labour was not enforced through ever expanding copyrights? What if cultural production was organized via principles of free access, collaborative creation and open adaptability of works? As such, the practices of a collective and transformative culture are not entirely new.

In: Hoffmann, Jeanette (Hg.). Wissen und Eigentum. Geschichte, Recht und Ökonomie stoffloser Güter. Bundeszentrale für Politische Bildung, Bonn. 2006

http://www.bpb.de/publikationen/TRRZ2E,0,Wissen_und_Eigentum.html