collapse: data.models.worlds (Athens)
Juan Obando, They/Them, 2023. Film Still. Courtesy of the artist.
collapse: data.models.worlds.
Group Exhibition
March 5 – April 2, 2026
Opening: …
I collect here my work which, by and large, deals with the (deep) present, at the intersection of cultural, political and technological dynamics. Much of focusses on practices of commoning, datafication, AI, , and transformation of nature, and of subjectivity .
I work as a professor at the Zurich University of the Arts , in the “art:ifical studies” major. I like to teach, I learn a lot this way. What? Here are my syllabi .
If possible, I work collaboratively, with lovely people such as Cornelia Sollfrank, !Mediengruppe Bitnik, Gordan Savičić, Vladan Joler, Ted Byfield, tante, Shusha Niederberger and others.
I’m long-time moderator of <nettime >, a crucial nexus of critical net culture, first for the email list (1998-2023), now for TLDR , its node in the fediverse. I’m a member of the World Information Institute and the Technopolitics Working Group, both based in Vienna.
Contact
DM @festal@tldr.nettime.org, Signal, or email (felix AT openflows com)
Juan Obando, They/Them, 2023. Film Still. Courtesy of the artist.
March 5 – April 2, 2026
Opening: …
What is wild nature today? Here, this question is explored through a map which represents the infrastructure put in place to enable the Northern Bald …
Ein Text für die Versorgerin (#147, August 2025), zur Arbeit "Post Tomorrow Land’s Morning Post" von Michael Aschauer.
Donnerstag, 1. …
Published in carrier-bag.net , 28 March 2025. Focus: If AI was the answer, what was the question, again?
Als Google Gemini vor Kurzem das Bild einer „indischen Päpstin“ generierte, war die Aufregung gross. Aber warum eigentlich? Denn generierte Inhalte …
This review was originally published at Digicult , 1.11.2022, also in Italian and Chinese .
image source: Petra Moser
Hagay Dreaming , the most …
These are notes for a talk I gave a few years ago (can’t remember the exact occasion). I came across them now, and I think they are still valid …
Creating Commons is a research project conducted between early 2017 and late 2020. It focused on 15 durational (post-)digital artistic projects …
Die traditionelle Ordnung der Kultur – mit klaren Positionen für KünstlerIn/AutorIn, Werk und Publikum, vermittelt durch ProduzentInnen, …
[
] Update, 11.02.2014 Unter dem, eigentlich viel besseren, Titel "Autorschaft und Freiheit"
bei den Freunden in der Berliner Gazette …
Was haben Hirschhorns Kunst und die singende Nyan-Cat auf Youtube gemeinsam? Beides sind Formen des Remixes. Mix und Remix sind künstlerische …
Lecture (86 min, including discussion) @ hexagram , concordia university , montreal, …
I just finished my talk at Former West , a contemporary art research, education, publishing, and exhibition project (2008–2014). Below are my …
In: Springerin , Heft 2/11
Die beiden radikalsten Medienprojekte der letzten 10 Jahre, The Pirate Bay (TPB) und WikiLeaks, haben in kürzester Zeit …
Seit bald 150 Jahren soll das moderne Urheberrecht (UHR) den Umgang mit „Werke[n] der Literatur, Wissenschaft und Kunst" (§ 1, des aktuellen …
Heute ist mein umfangreiches Essay zur Remix-Kultur bei irights.info online gegangen. Es berührt viele Themen, die auch die Digitale Allmend …
A compilation of writings and debates from the Nettime newsgroup and internet mailing list. This book documents the debates over emerging media …