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    <title>n.n. Notes and Nodes by Felix Stalder</title>
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    <description>Recent content on n.n. Notes and Nodes by Felix Stalder</description>
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    <lastBuildDate>Fri, 04 Sep 2026 00:00:00 +0000</lastBuildDate>
    
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    <item>
      <title>Kultur der Digitalität, Digital Condition, 数字状况</title>
      <link>https://felix.openflows.com/books/three_books.html</link>
      <pubDate>Sat, 21 Mar 2026 00:00:00 +0000</pubDate>
      
      <guid>https://felix.openflows.com/books/three_books.html</guid>
      <description>&lt;p&gt;&lt;img src=&#34;https://felix.openflows.com/images/three_covers.webp&#34; alt=&#34;Description&#34;&gt;
&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Deutschsprachige Ausgabe&lt;/strong&gt;&lt;br&gt;
&lt;em&gt;&lt;a href=&#34;https://felix.openflows.com/books/2016_kultur-der-digitalitaet.html&#34;&gt;Kultur der Digitalität.&lt;/a&gt;
&lt;/em&gt; edition suhrkamp. Berlin: Suhrkamp. 2016 (6. Auflage, 2024)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;English Translation&lt;/strong&gt;&lt;br&gt;
&lt;em&gt;&lt;a href=&#34;https://felix.openflows.com/books/2018_the-digital-condition.html&#34;&gt;The Digital Condition.&lt;/a&gt;
&lt;/em&gt; Cambridge, UK ; Medford, MA: Polity Press. 2018&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;中文翻译&lt;/strong&gt;&lt;br&gt;
&lt;em&gt;&lt;a href=&#34;https://felix.openflows.com/books/2023_digital-condition-chinese.html&#34;&gt;数字状况,&lt;/a&gt;
&lt;/em&gt; published by the School of Sculpture and Public Art, China Academy of Art, 2023&lt;/p&gt;</description>
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    <item>
      <title>What does Ivan Illich mean by convivial technologies?</title>
      <link>https://felix.openflows.com/articles/2026-09_ivan_illich_tools.html</link>
      <pubDate>Fri, 04 Sep 2026 00:00:00 +0000</pubDate>
      
      <guid>https://felix.openflows.com/articles/2026-09_ivan_illich_tools.html</guid>
      <description>&lt;p&gt;&lt;img src=&#34;https://felix.openflows.com/images/Illich_tools_cover.jpg&#34; alt=&#34;Cover of Ivan Illich: Tools for Conviviality, 1975&#34;&gt;

&lt;em&gt;(direct quotes are italic)&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Foundational for Illich&amp;rsquo;s perspective is what he called &lt;em&gt;the triadic relationship between persons, tools, and a&amp;hellip; collectivity.&lt;/em&gt; In other words, they are mutually constitutive by shaping each other. One cannot understand one side without taking the other two into consideration. Technologies are fundamental to the structure of society because &lt;em&gt;tools are intrinsic to social relationships. An individual relates himself in action to his society through the use of tools that he actively masters, or by which he is passively acted upon.&lt;/em&gt;&lt;/p&gt;</description>
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    <item>
      <title>Aus Kronstorf lernen – wir brauchen eine transparente und klimabewusste Digitalisierung	</title>
      <link>https://felix.openflows.com/events/2026.09.kronsdorf.html</link>
      <pubDate>Thu, 03 Sep 2026 00:00:00 +0000</pubDate>
      
      <guid>https://felix.openflows.com/events/2026.09.kronsdorf.html</guid>
      <description>&lt;p&gt;&lt;a href=&#34;https://stwst84x12.stwst.at/von_kronstorf_lernen&#34; target=&#34;_blank&#34;&gt;&lt;img src=&#34;https://felix.openflows.com/images/2026.09_Demo_Linz.jpg&#34; alt=&#34;Demonstration in Linz&#34;&gt;
&lt;/a&gt;
&lt;/p&gt;
&lt;h2 id=&#34;aus-kronstorf-lernen--wir-brauchen-eine-transparente-und-klimabewusste-digitalisierung&#34;&gt;Aus Kronstorf lernen – wir brauchen eine transparente und klimabewusste Digitalisierung&lt;/h2&gt;
&lt;p&gt;&lt;strong&gt;Bürger:innen Initiative Kronstorf&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Kundgebung&lt;br&gt;
Fri, 11.09.2026, 15:00 – 17:00 CET&lt;br&gt;
Wo: &lt;a href=&#34;https://www.openstreetmap.org/way/156478885&#34; target=&#34;_blank&#34;&gt;Landhaus, Promenade, Linz, 4020, Austria&lt;/a&gt;
&lt;br&gt;
Website: &lt;a href=&#34;https://stwst84x12.stwst.at/von_kronstorf_lernen&#34; target=&#34;_blank&#34;&gt;https://stwst84x12.stwst.at/von_kronstorf_lernen&lt;/a&gt;
&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;DE:
Von Kronstorf lernen! Für eine transparente und klimafreundliche Digitalisierung kämpfen
Inmitten der Extremhitze wird eine Frage brennend: Was bestimmt unsere Zukunft? Wird sie durch den Stromhunger von globalen Privatunternehmen geprägt sein? Oder wird sie ein Recht auf Schatten und auf kühles, klares Wasser beinhalten; ein Recht auf Gesundheit von Menschen und Ökosystemen?
Diese Fragen müssen wir angesichts des rasanten Ausbaus von digitaler Infrastruktur jetzt stellen. Massive Versiegelung von fruchtbarem Boden, wie derzeit im Oberösterreichischen Kronstorf passiert, wo Google eines der größten Datenzentren Europas baut, sind erst der Anfang. 
Damit unten Datenströme fließen können, glüht oben der Asphalt. Wir gehen dagegen auf die Straße! Wir rufen am 11. September zur Demonstration in Linz auf! Wir fordern einen Stopp der Zerstörung unserer Lebensgrundlagen! Wir weigern uns, das Austrocknen unserer Landschaften als vollendete Tatsache hinzunehmen! Echter Fortschritt gelingt durch Zuhören, demokratische Einbindung und durch kollektiven Zweifel am scheinbar Alternativlosen. Lassen wir uns nicht länger einreden, dass unsere Zukunft durch einen Algorithmus bestimmt ist und wir nichts daran ändern können!&lt;/p&gt;</description>
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    <item>
      <title>Islands of Conviviality</title>
      <link>https://felix.openflows.com/events/2026.09.07.issa_conviviality.html</link>
      <pubDate>Wed, 02 Sep 2026 00:00:00 +0000</pubDate>
      
      <guid>https://felix.openflows.com/events/2026.09.07.issa_conviviality.html</guid>
      <description>&lt;p&gt;&lt;a href=&#34;https://issa-school.org/islands-of-conviviality-2026/&#34; target=&#34;_blank&#34;&gt;&lt;img src=&#34;https://felix.openflows.com/images/island_school_conviviality.png&#34; alt=&#34;&#34;&gt;
&lt;/a&gt;
&lt;/p&gt;
&lt;h2 id=&#34;islands-of-conviviality&#34;&gt;Islands of Conviviality&lt;/h2&gt;
&lt;p&gt;September 1–9, 2026
Split, Brač, Hvar, Vis&lt;/p&gt;
&lt;p&gt;An island pedagogy across the southern Dalmatian archipelago marking the centenary of Ivan Illich’s birth&lt;/p&gt;
&lt;p&gt;With Hito Steyerl⁠, Jürgen Renn⁠, Claire Pentecost⁠, Sarah Lewison⁠, Sara Black⁠, Yvonne Illich⁠, Srećko Horvat⁠, !Mediengruppe Bitnik⁠, Damir Ugljen⁠, Armina Pilav⁠, Jamie Allen⁠, Valeria Graziano⁠, Gordan Savičić⁠, Felix Stalder⁠, Morana Miljanović⁠, Manja Ristić⁠, Saša Savanović⁠, Kevin Kenjar⁠, Laura Lotti⁠, Predrag Kolaković, Dora Vanette, Ivica Mitrović⁠, Bronwyn Lay, Dora Vanette⁠, Aleksandra Sekulić⁠, Dennis Schep⁠, Luís Brum⁠, Mariana Pestana⁠, Helin Ulas⁠, Marianna Tsionki⁠, Cassie Thornton⁠, John W. Kim⁠, the Anthropocene Commons network⁠, Brian Holmes and probably a few others&lt;/p&gt;</description>
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    <item>
      <title>Generative Systems and the Politics of Knowledge. Interview with Felix Stalder</title>
      <link>https://felix.openflows.com/articles/2026.08_generative_systems_interview_sudmann.html</link>
      <pubDate>Mon, 24 Aug 2026 00:00:00 +0000</pubDate>
      
      <guid>https://felix.openflows.com/articles/2026.08_generative_systems_interview_sudmann.html</guid>
      <description>&lt;p&gt;&lt;a href=&#34;https://howisaichangingscience.eu/interview-felix-stalder/&#34; target=&#34;_blank&#34;&gt;&lt;img src=&#34;https://felix.openflows.com/images/Logo_HiAICS_black-1024x363.png&#34; alt=&#34;&#34;&gt;
&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;&lt;em&gt;This interview was conducted under the framework of the research project &amp;ldquo;&lt;a href=&#34;https://howisaichangingscience.eu&#34; target=&#34;_blank&#34;&gt;How AI is Changing Science&lt;/a&gt;
.&amp;rdquo; This project &amp;ldquo;explores how AI interacts with the established practices and methods of the sciences, whether they are complemented, modified, and/or potentially replaced. Three disciplines or domains of research are the focus of our inquiry: environmental sciences/climatology, social sciences/sociology, and film studies.&amp;rdquo;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Andreas Sudmann&lt;/strong&gt;: Are we also witnessing a shift in authority from interpretation and critical inquiry towards forms of knowledge that present themselves as data-driven and purely analytical?&lt;/p&gt;</description>
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    <item>
      <title>DGTL Summer Festival 2026</title>
      <link>https://felix.openflows.com/events/2026-07.dgtl-summer_tulln.html</link>
      <pubDate>Mon, 20 Jul 2026 00:00:00 +0000</pubDate>
      
      <guid>https://felix.openflows.com/events/2026-07.dgtl-summer_tulln.html</guid>
      <description>&lt;p&gt;&lt;a href=&#34;https://www.noe.gv.at/noe/Medienkunst-Festival_-DGTL_SUMMER-_im_Haus_der_Digitalisi.html&#34; target=&#34;_blank&#34;&gt;&lt;img src=&#34;https://felix.openflows.com/images/2026-DGTL_summer_tulln.webp&#34; alt=&#34;&#34;&gt;
&lt;/a&gt;
&lt;/p&gt;
&lt;h2 id=&#34;medienkunst-festival-dgtl-summer-im-haus-der-digitalisierung&#34;&gt;Medienkunst-Festival „DGTL SUMMER“ im Haus der Digitalisierung&lt;/h2&gt;
&lt;p&gt;Am 17. Juli 2026 startet im Haus der Digitalisierung in Tulln der „DGTL SUMMER“. Bis 30. Juli beleuchtet das von der Kulturabteilung des Landes Niederösterreich initiierte und organisierte 14-tägige Medienkunst-Festival die Schnittstelle von Kunst und Digitalität. Eine Ausstellung mit Arbeiten von Fanni Futterknecht, Volkmar Klien und Marian Essl alias MONOCOLOR sowie ein vielseitiges Begleitprogramm machen das Haus der Digitalisierung zur Bühne für Medienkunst, Vermittlung und Diskurs. Auch der 311 Quadratmeter große LED-Schirm wird dabei zum künstlerischen Werkzeug.&lt;/p&gt;</description>
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    <item>
      <title>Beyond Openness (Keynote), Panel: Sustaining Digital Commons (Digital Humanism Conference</title>
      <link>https://felix.openflows.com/events/2026.06-digi_hum_vienna.html</link>
      <pubDate>Thu, 28 May 2026 00:00:00 +0000</pubDate>
      
      <guid>https://felix.openflows.com/events/2026.06-digi_hum_vienna.html</guid>
      <description>&lt;p&gt;&lt;a href=&#34;https://dighum.wien/&#34; target=&#34;_blank&#34;&gt;&lt;img src=&#34;https://felix.openflows.com/images/dighum_Logo_black_rgb-2048x439.webp&#34; alt=&#34;&#34;&gt;
&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://dighum.wien/programme/#session-sustaining-digital-commons&#34; target=&#34;_blank&#34;&gt;https://dighum.wien/programme/#session-sustaining-digital-commons&lt;/a&gt;
&lt;/p&gt;
&lt;h3 id=&#34;friday-june-26-1600-1730&#34;&gt;Friday, June 26, 16:00 –17:30&lt;/h3&gt;
&lt;h2 id=&#34;sustaining-digital-commons&#34;&gt;Sustaining Digital Commons&lt;/h2&gt;
&lt;h3 id=&#34;the-future-of-open-knowledge-stewardship&#34;&gt;The future of open knowledge stewardship&lt;/h3&gt;
&lt;p&gt;Chair: Katja Mayer (Senior Scientist at the Centre for Social Innovation (ZSI) and Sociologist at the University of Vienna)&lt;br&gt;
with:&lt;br&gt;
Sandra Barthel (Interdisciplinary Researcher and Policy Advisor)&lt;br&gt;
Claudia Garád (President of Wikimedia Europe and Executive Director of Wikimedia Austria)&lt;br&gt;
Felix Hlatky (Executive Director at Mastodon and Board Director at Mastodon, Inc.)&lt;br&gt;
Felix Stalder (Professor at the Zurich University of the Arts)&lt;/p&gt;</description>
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    <item>
      <title>Analyse und Generierung. Die Wahrheiten der Künstlichen Intelligenz (Keynote)</title>
      <link>https://felix.openflows.com/events/2026.06-schreibt_ki_geschichte.html</link>
      <pubDate>Wed, 20 May 2026 00:00:00 +0000</pubDate>
      
      <guid>https://felix.openflows.com/events/2026.06-schreibt_ki_geschichte.html</guid>
      <description>&lt;p&gt;&lt;a href=&#34;https://www.ghwk.de/de/termine/termin/schreibt-ki-geschichte&#34; target=&#34;_blank&#34;&gt;&lt;img src=&#34;https://felix.openflows.com/images/260617_18_SchreibtKIGeschichte.jpg&#34; alt=&#34;&#34;&gt;
&lt;/a&gt;
&lt;/p&gt;
&lt;h1 id=&#34;schreibt-ki-geschichte&#34;&gt;Schreibt KI Geschichte?&lt;/h1&gt;
&lt;h2 id=&#34;künstliche-intelligenz-in-der-historisch-politischen-bildung&#34;&gt;Künstliche Intelligenz in der historisch-politischen Bildung&lt;/h2&gt;
&lt;h4 id=&#34;17-juni-2026--0930-uhr---18-juni-2026--1800-uhr&#34;&gt;17. Juni 2026 · 09:30 Uhr - 18. Juni 2026 · 18:00 Uhr&lt;/h4&gt;
&lt;h4 id=&#34;gedenk--und-bildungsstätte-haus-der-wannsee-konferenz-am-großen-wannsee-56-58-14109-berlin&#34;&gt;Gedenk- und Bildungsstätte Haus der Wannsee-Konferenz, Am Großen Wannsee 56-58, 14109 Berlin&lt;/h4&gt;
&lt;p&gt;Eine Tagung der Gedenk- und Bildungsstätte Haus der Wannsee-Konferenz, in Zusammenarbeit mit dem DAAD Center for German Studies at the Hebrew University of Jerusalem und kulturBdigital, Technologiestiftung Berlin
Das Bild zeigt einen grünen Hintergrund mit unterschiedlichem Text in schwarzen und hellen Buchstaben. Der Text enthält Buchstabenfolgen und Wörter wie &amp;ldquo;SCHREIBT&amp;rdquo; und &amp;ldquo;KI&amp;rdquo;. Es scheint ein kreatives oder experimentelles Layout zu sein, das mit Typografie spielt.&lt;/p&gt;</description>
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    <item>
      <title>Book lauch: RE/EMBODIED DATA. AMBUIGUITY OF KNOWING</title>
      <link>https://felix.openflows.com/events/20.26_06.book_lauch.html</link>
      <pubDate>Tue, 19 May 2026 00:00:00 +0000</pubDate>
      
      <guid>https://felix.openflows.com/events/20.26_06.book_lauch.html</guid>
      <description>&lt;h2 id=&#34;save-the-date--1662026-1900&#34;&gt;SAVE THE DATE  16.6.2026, 19:00&lt;/h2&gt;
&lt;h3 id=&#34;book-presentation-discussion-performance&#34;&gt;book presentation, discussion, performance&lt;/h3&gt;
&lt;p&gt;&lt;img src=&#34;https://felix.openflows.com/images/re-embodied_data_cover.png&#34; alt=&#34;Description&#34;&gt;
&lt;/p&gt;
&lt;p&gt;DO YOU READ ME ?!&lt;br&gt;
Auguststraße 28&lt;br&gt;
10117 Berlin\&lt;/p&gt;
&lt;p&gt;more about the book:
&lt;a href=&#34;https://adocs.de/en/buecher/theorie-praxis-open-accessebooks/reembodied-data&#34; target=&#34;_blank&#34;&gt;https://adocs.de/en/buecher/theorie-praxis-open-accessebooks/reembodied-data&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;——————————————————————————&lt;/p&gt;
&lt;p&gt;Long Version&lt;/p&gt;
&lt;p&gt;Tue 16.06.2026 19:00 – 21:00&lt;/p&gt;
&lt;p&gt;&amp;ldquo;Do you read me ?!&amp;rdquo; (book shop)&lt;br&gt;
Berlin Mitte&lt;br&gt;
Auguststraße 28&lt;br&gt;
10117 Berlin&lt;/p&gt;
&lt;p&gt;We live in times of comprehensive datafication. Digital technologies allow ever more aspects of our lives and the planet to be measured and analyzed. This creates new ways of knowing and doing. All too often however, this development leads to a systematic devaluation of forms of knowing that cannot be quantified and processed digitally.&lt;/p&gt;</description>
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    <item>
      <title>The Decline of the Digital Commons (Theory, Culture &amp; Society)</title>
      <link>https://felix.openflows.com/articles/2026_decline_of_digital_commons.html</link>
      <pubDate>Fri, 15 May 2026 00:00:00 +0000</pubDate>
      
      <guid>https://felix.openflows.com/articles/2026_decline_of_digital_commons.html</guid>
      <description>&lt;p&gt;&lt;a href=&#34;https://journals.sagepub.com/home/TCS&#34; target=&#34;_blank&#34;&gt;&lt;img src=&#34;https://felix.openflows.com/images/Theory_Culture_Society_logo.png&#34; alt=&#34;&#34;&gt;
&lt;/a&gt;
&lt;/p&gt;
&lt;h3 id=&#34;abstract&#34;&gt;Abstract&lt;/h3&gt;
&lt;p&gt;The notion of the digital commons emerged in the late 1990s and has been elaborated in the service of divergent political commitments in the following years. These have ranged from a renewal of liberal market capitalism, to a development of institutions for self-governing, to an articulation of post-capitalism.&lt;/p&gt;
&lt;p&gt;Across many internal differences, these approaches have shared expectations that the digital commons, due to their character as advanced knowledge goods and potentially global scale, would significantly contribute to social transformations, expanding market and non-market participation, strengthening community, and generally improving social justice.&lt;/p&gt;</description>
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    <item>
      <title>Subversive Festival, Zagreb</title>
      <link>https://felix.openflows.com/events/2026.05.subversivefest.html</link>
      <pubDate>Tue, 12 May 2026 00:00:00 +0000</pubDate>
      
      <guid>https://felix.openflows.com/events/2026.05.subversivefest.html</guid>
      <description>&lt;p&gt;&lt;a href=&#34;https://subversivefestival.com/en/&#34; target=&#34;_blank&#34;&gt;&lt;img src=&#34;https://felix.openflows.com/images/2026_Subversive_Fest.png&#34; alt=&#34;&#34;&gt;
&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;Petak/Friday 29.05.2026, 20:15&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Panel diskusija / Panel discussion&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Panelists: Hito Steyerl, Paolo Caffoni, Felix Stalder, Vanja Subotić&lt;br&gt;
Moderated by: Boris Buden&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Rapid development of digital technology, especially the breathtaking rise of AI, compels us to radically rethink Gramsci’s famous claim that all humans are intellectuals but not all humans have in society the function of intellectuals. He meant a historically specific division of labor in which the common intellect, alienated in the form of a social class, was used to create cultural hegemony so as to pacify the intrinsic contradictions of industrial capitalism, normalize its class rule and prevent the revolution – which alone was expected to return the intellect to its original owners, the human commons.&lt;/p&gt;</description>
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    <item>
      <title>Support of scienceispoetry.net</title>
      <link>https://felix.openflows.com/events/2026.05_science_is_poetry.html</link>
      <pubDate>Sun, 10 May 2026 00:00:00 +0000</pubDate>
      
      <guid>https://felix.openflows.com/events/2026.05_science_is_poetry.html</guid>
      <description>&lt;p&gt;&lt;a href=&#34;https://scienceispoetry.net&#34; target=&#34;_blank&#34;&gt;&lt;img src=&#34;https://sustainable-collective.de/blog/images/where/arent/gratuitousness/her.jpg&#34; alt=&#34;&#34;&gt;
&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;This is to support the great project: &lt;a href=&#34;https://scienceispoetry.net&#34; target=&#34;_blank&#34;&gt;https://scienceispoetry.net&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;For more context, see: &lt;a href=&#34;https://julianoliver.com/projects/science-is-poetry/&#34; target=&#34;_blank&#34;&gt;https://julianoliver.com/projects/science-is-poetry/&lt;/a&gt;
&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;INTRODUCTION&lt;/p&gt;
&lt;p&gt;Science is Poetry is a tactical media response to an era of runaway AI, whose webcrawlers are non-consensually scraping human-made content for use in training their models. Concerned creators can use the project to protect their content by linking to it somewhere in the landing page of their wiki, website or blog. AI crawlers then encountering the link will be pulled off-site and entrapped in a maze of babble, a new page generated for each page consumed, forever.&lt;/p&gt;</description>
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    <item>
      <title>Composite Images. On the Transformation of Visual Truth Claims</title>
      <link>https://felix.openflows.com/articles/composite_images.html</link>
      <pubDate>Fri, 01 May 2026 00:00:00 +0000</pubDate>
      
      <guid>https://felix.openflows.com/articles/composite_images.html</guid>
      <description>&lt;p&gt;&lt;a href=&#34;https://ecal-shop.ch/en/product/automated-photography/&#34; target=&#34;_blank&#34;&gt;&lt;img src=&#34;https://felix.openflows.com/images/automated-photography-01.jpg&#34; alt=&#34;&#34;&gt;
&lt;/a&gt;

&lt;a href=&#34;https://ecal-shop.ch/en/product/automated-photography/&#34; target=&#34;_blank&#34;&gt;&lt;img src=&#34;https://felix.openflows.com/images/automated-photography-02.jpg&#34; alt=&#34;&#34;&gt;
&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;&lt;em&gt;This is an older article (2021), but perhaps more topical than when it came out, as we continue to grapple with how to deal with generated images. This is why I am putting it up now. Here&amp;rsquo;s the &lt;a href=&#34;https://felix.openflows.com/files/Stalder_2021_Composite_Images.pdf&#34;&gt;nicely lay-outed version&lt;/a&gt;
 from the book.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;tl&amp;rsquo;dr&lt;/strong&gt;: Images, in particular the photographic images, have long ceased to serve as an index of reality. We need new methods of establishing visual truth claims that take seriously the artificiality of all images. Here, I examine and expand on the approach which moves away from claiming to represent reality &amp;lsquo;as it is&amp;rsquo;. Instead, rather, it aims at providing evidence for its factuality in constructing the real.&lt;/p&gt;</description>
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    <item>
      <title>Interview: Kraftwerk vs. Moses Pelham: Was bedeutet das EuGH-Urteil für die digitale Kunst</title>
      <link>https://felix.openflows.com/events/2026.04_interview_breitband_uhr.html</link>
      <pubDate>Sat, 25 Apr 2026 00:00:00 +0000</pubDate>
      
      <guid>https://felix.openflows.com/events/2026.04_interview_breitband_uhr.html</guid>
      <description>&lt;p&gt;&lt;a href=&#34;https://www.deutschlandfunkkultur.de/programm?drsearch:date=2026-04-25&#34; target=&#34;_blank&#34;&gt;&lt;img src=&#34;https://felix.openflows.com/images/Deutschlandfunk_Kultur_logo.png&#34; alt=&#34;&#34;&gt;
&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Kraftwerk vs. Moses Pelham: Was bedeutet das EuGH-Urteil für die digitale Kunst&lt;/strong&gt;
Gespräch mit Prof. Dr. Felix Stalder, Moderation:  Martin Böttcher, Breitband, Samstag, 25.04.2026&lt;/p&gt;
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&lt;p&gt;Nach fast 27 Jahren Prozessdauer wurde am 14. April 2026 vom Europäischen Gerichtshof endlich &lt;a href=&#34;https://lausen.com/en/cjeu-defines-pastiche-no-blanket-licence-for-sampling-in-eu-copyright-law/&#34; target=&#34;_blank&#34;&gt;geklärt,&lt;/a&gt;
 dass Sampling bewilligungsfrei erlaubt sei, wenn damit ein neues, künstlerisches Werk geschaffen wird.&lt;/p&gt;
&lt;p&gt;Rechtlich fällt dies unter die Kategorie des &lt;a href=&#34;https://irights.info/artikel/wie-der-pastiche-ins-urheberrecht-kam-und-was-er-fuer-das-kreative-schaffen-bedeutet/31105&#34; target=&#34;_blank&#34;&gt;&amp;ldquo;Pastiche&amp;rdquo;,&lt;/a&gt;
 die neben Sampling auch Remixing, Mashups, oder Fan Fiction umfasst und im &lt;a href=&#34;https://eur-lex.europa.eu/eli/dir/2001/29/oj/eng?eliuri=eli%3Adir%3A2001%3A29%3Aoj&amp;amp;locale=de&#34; target=&#34;_blank&#34;&gt;Art. 5 (Abs.3k) der Richtlinie 2001/29/EG,&lt;/a&gt;
 von 2019 und in &lt;a href=&#34;https://dejure.org/gesetze/UrhG/51a.html&#34; target=&#34;_blank&#34;&gt;§51a des deutschen UrhG&lt;/a&gt;
 von 2021 verankert ist.&lt;/p&gt;</description>
    </item>
    
    <item>
      <title>Kultur der Digitalität. Die wachsende Dominanz der Algorithmizität</title>
      <link>https://felix.openflows.com/articles/kdd_wachsende_dominanz_algo.html</link>
      <pubDate>Tue, 07 Apr 2026 00:00:00 +0000</pubDate>
      
      <guid>https://felix.openflows.com/articles/kdd_wachsende_dominanz_algo.html</guid>
      <description>&lt;p&gt;&lt;a href=&#34;https://link.springer.com/rwe/10.1007/978-3-662-70086-0_26-1&#34; target=&#34;_blank&#34;&gt;&lt;img src=&#34;https://felix.openflows.com/images/HandbuchPhilo_Dig_Cover_600x875.jpg&#34; alt=&#34;Handbuch Philosophie der Digitalität, Cover&#34;&gt;
&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;Ein kurzer Ausschnitt aus meinem Eintrag im &lt;em&gt;Handbuch Philosophie der Digitalität&lt;/em&gt;, Stichwort &amp;ldquo;Kultur der Digitalität&amp;rdquo;.&lt;/p&gt;
&lt;p&gt;&amp;ldquo;Versucht man, die „Kultur der Digitalität“ als historische Epoche über die letzten 50 Jahre als ganzes zu betrachten, lässt sich &amp;hellip; eine deutliche Verschiebung von gemeinschaftlichen, zu referenziellen und aktuell zu algorithmischen Aspekten beobachten.&lt;/p&gt;
&lt;p&gt;Zu Beginn – in unabhängigen Medienprojekten der 1970er- und 1980er-Jahre, wie in der frühen Netzkultur – standen gemeinschaftliche Aspekte im Vordergrund und die medialen Projekte wurden entsprechend ausgerichtet. Dies inspirierte große Hoffnungen, dass die „neuen Medien“ einen Schub der Demokratisierung mit sich bringen würden.&lt;/p&gt;</description>
    </item>
    
    <item>
      <title>Re/Embodied Data and the Ambiguities of Knowing</title>
      <link>https://felix.openflows.com/books/2026_rembodied_data.html</link>
      <pubDate>Fri, 20 Mar 2026 00:00:00 +0000</pubDate>
      
      <guid>https://felix.openflows.com/books/2026_rembodied_data.html</guid>
      <description>&lt;p&gt;&lt;img src=&#34;https://felix.openflows.com/images/re-embodied_data_cover.png&#34; alt=&#34;book cover of Re/Embodied Data and the Ambiguities of Knowing&#34;&gt;
&lt;/p&gt;
&lt;p&gt;We live in a moment of comprehensive datafication, as ever more aspects of our lives and the planet are measured, analyzed, and shaped digitally. This opens new ways of knowing and doing, but all too often it also leads to a systematic devaluation of forms of knowing that cannot be quantified and processed digitally. Through a form of epistemic violence, new forms of ignorance and marginalization are enacted.  Rather than favoring one over the other, the relationship between quantifiable and experiential, abstracted and embodied knowledges must be explored.&lt;/p&gt;</description>
    </item>
    
    <item>
      <title>collapse:data.models.worlds. artists talks &amp; discussion (Athens)</title>
      <link>https://felix.openflows.com/events/2026.03_collapse_discussion.html</link>
      <pubDate>Fri, 13 Mar 2026 00:00:00 +0000</pubDate>
      
      <guid>https://felix.openflows.com/events/2026.03_collapse_discussion.html</guid>
      <description>&lt;p&gt;&lt;a href=&#34;https://plyfa.space/en/event/collapse-data-models-worlds/&#34; target=&#34;_blank&#34;&gt;&lt;img src=&#34;https://felix.openflows.com/images/Salvatore_Vitale_DeathbyGPS.jpg&#34; alt=&#34;Salvatore Vitale Death by GPS. Film Still&#34;&gt;
&lt;/a&gt;

&lt;a href=&#34;https://www.salvatore-vitale.com/#/project/death-by-gps&#34; target=&#34;_blank&#34;&gt;Salvatore Vitale Death by GPS&lt;/a&gt;
. Film Still&lt;/p&gt;
&lt;p&gt;collapse:data.models.worlds.&lt;br&gt;
artists talks &amp;amp; discussion&lt;/p&gt;
&lt;p&gt;With the participation of Latent Community, Maria Mavropoulou, Felix Stalder&lt;br&gt;
Moderated by Daphne Dragona, Katerina Gkoutziouli&lt;/p&gt;
&lt;p&gt;Wednesday, 18 March, 19.00&lt;br&gt;
PLYFA space, Room 7Γ&lt;/p&gt;
&lt;p&gt;What changes in an era of possible environmental and computational collapse? How do technological solutions connect to the exhaustion of natural resources? Is it possible for infrastructural and ecological systems to sustain one another, and assist in restoring environmental and social balance?&lt;/p&gt;</description>
    </item>
    
    <item>
      <title>New Site Design</title>
      <link>https://felix.openflows.com/events/new_design.html</link>
      <pubDate>Sun, 01 Mar 2026 00:00:00 +0000</pubDate>
      
      <guid>https://felix.openflows.com/events/new_design.html</guid>
      <description>&lt;p&gt;&lt;img src=&#34;https://felix.openflows.com/images/christoph-buchel-monte-di-pieta-foto-marco-cappelletti-courtesy-fondazione-prada.jpg&#34; alt=&#34;Christoph Büchel, MONTE DI PIETÀ, Fondazione Prada, 2024&#34;&gt;

Christoph Büchel, MONTE DI PIETÀ, Fondazione Prada, 2024&lt;/p&gt;
&lt;h3 id=&#34;new-design&#34;&gt;New Design&lt;/h3&gt;
&lt;p&gt;I&amp;rsquo;ve redesigned my website, using a static site generator, &lt;a href=&#34;https://gohugo.io&#34; target=&#34;_blank&#34;&gt;Hugo,&lt;/a&gt;
 with the nice theme called &lt;a href=&#34;https://github.com/yibie/hugo-theme-deck&#34; target=&#34;_blank&#34;&gt;Theme Deck,&lt;/a&gt;
 which I heavily adapted.&lt;/p&gt;
&lt;p&gt;I&amp;rsquo;m using locally-hosted webfonts from &lt;a href=&#34;https://fonts.bunny.net/&#34; target=&#34;_blank&#34;&gt;Bunny.net,&lt;/a&gt;
 an open-source, privacy-first web font platform. And, for basic web analytics, the &lt;a href=&#34;https://hugomods.com/analytics/umami/&#34; target=&#34;_blank&#34;&gt;Hugo Umami Analytics Module,&lt;/a&gt;
 an open-source, privacy-focused web analytics tool.&lt;/p&gt;
&lt;p&gt;Just for comparison, the &lt;a href=&#34;https://web.archive.org/web/20260123134744/https://felix.openflows.com/&#34; target=&#34;_blank&#34;&gt;old website looked like this.&lt;/a&gt;
 (slow link to archive.org)&lt;/p&gt;</description>
    </item>
    
    <item>
      <title>Privacy Policy</title>
      <link>https://felix.openflows.com/pages/privacy.html</link>
      <pubDate>Sun, 01 Mar 2026 00:00:00 +0000</pubDate>
      
      <guid>https://felix.openflows.com/pages/privacy.html</guid>
      <description>&lt;p&gt;&lt;img src=&#34;https://felix.openflows.com/images/magritte_lovers2.jpg&#34; alt=&#34;Description&#34;&gt;

Rene Magritte, The Lovers II, 1928&lt;/p&gt;
&lt;h3 id=&#34;privacy&#34;&gt;Privacy&lt;/h3&gt;
&lt;p&gt;This site does not use 3rd party trackers.&lt;/p&gt;
&lt;p&gt;It uses locally-hosted webfonts webfonts from &lt;a href=&#34;https://fonts.bunny.net/&#34; target=&#34;_blank&#34;&gt;Bunny.net,&lt;/a&gt;
 an open-source, privacy-first web font platform. Fully GDPR compliant.&lt;/p&gt;
&lt;p&gt;For basic web analytics, it uses the &lt;a href=&#34;https://hugomods.com/analytics/umami/&#34; target=&#34;_blank&#34;&gt;Hugo Umami Analytics Module,&lt;/a&gt;
 an open-source, privacy-focused web analytics tool. Fully GDPR compliant.&lt;/p&gt;</description>
    </item>
    
    <item>
      <title></title>
      <link>https://felix.openflows.com/pages/contact.html</link>
      <pubDate>Thu, 26 Feb 2026 00:00:00 +0000</pubDate>
      
      <guid>https://felix.openflows.com/pages/contact.html</guid>
      <description>&lt;h3 id=&#34;contact&#34;&gt;Contact&lt;/h3&gt;
&lt;p&gt;⁂ Mastodon DM:  @festal@tldr.nettime.org&lt;/p&gt;
&lt;p&gt;💬 Messenger: Signal&lt;/p&gt;
&lt;p&gt;💌 Email: felix AT openflows com&lt;/p&gt;
&lt;h3 id=&#34;bio-and-more&#34;&gt;Bio and more&lt;/h3&gt;
&lt;p&gt;&lt;a href=&#34;https://felix.openflows.com/pages/more.html&#34;&gt;Bio &amp;amp; more&lt;/a&gt;
&lt;/p&gt;</description>
    </item>
    
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