network

Ipoque Internet Study, 2008-2009
Yet another indicator that filesharing is not going away, even if video-streaming is growing more rapidly.

Some of the key findings of the study are:

• P2P generates most traffic in all regions
• The proportion of P2P traffic has decreased BitTorrent is still number one of all protocols, HTTP second
• The proportion of eDonkey is much lower than last year
• File hosting has considerably grown in popularity
• Streaming is taking over P2P users for video content
• Usenet, a file sharing alternative for P2P, appears in the statistics for the first time

CNet has this story, highlighting the two way processes of digitization and materlialization

On Demand Books, makers of the Espresso Book Machine, are expected to announce Thursday that they have been granted access to Google's library of public domain digital books for use with their product. The Espresso Book Machine can print a 300-page book in four minutes, complete with a cover and a bound edge. It ranges in price from $75,000 to $97,000, depending on the configuration, and is found mostly at universities, libraries, and institutions around the globe.

The books thus produced are probably so cheap that it's more economical for libraries to simply give them away that to loan, track, process the return, and re-shelve them (which costs quite a bit, I think  Brewster Kahle, archive.org, once put a figure of $4 on it, though obviously that depends on a lot of variables.) See also this article with details on pricing (sales price at about $8 per book).

Giorgos Cheliotis, assistant professor of Communications and New Media at the National University of Singapore done one of the, if not the, first network analysis and network visualization of a remix community, based on the ccMixter.

He writes:

One of the visualizations, consisting of all uploaded audio tracks that have been remixed and all remixes thereof, is shown below. I was very surprised by the structure, density and connectedness of the resulting network. I was expecting to see a more weakly connected set of “islands of common interest”, as defined by genre, friendships or location. Instead, before we even go into deeper analysis, the figure suggests that the creative reuse of cultural content (such as enabled by licenses like Creative Commons) leads to a very high degree of cross-pollination across authors and across works, forming a dense network of greatly enhanced collaboration and creativity through open sharing and reuse. We have posted a working paper and more cool hi-res visuals on the Participatory Media Lab wiki.

This seems to suggest that cultural -- or at least musical -- styles are becoming ever more fluid as the range of source is becoming ever more wide.

.