Perhaps the days of the general file sharing nodes, like piratebay, isohunt, or even mininova are over. But certainly not the days of unregulated file-sharing. As far as one can tell, private-trackers are thriving and now the founder of isohunt is creating a new system called hexagon.cc which centers around the ability of users to create groups of people with whom they want to share.
torrentfreak.org wirtes: “The main difference that sets Hexagon.cc apart from other social file sharing and BitTorrent sites, is everything is centered around groups. Be it file sharing networks or flash video sites, a key piece we found missing is social context,” isoHunt’s founder Gary Fung said.
With Hexagon Fung hopes to bridge this gap by allowing people to
start groups where they can share content within a certain niche. These groups help to organize content and allow people to share with others who are interested in the same material, privately or in public.
Update: See also this article by Janko Roettgers (Sept.05.)
Ars Technica reports on the new study The Internet and Civic Engagement which found that there is a strong correlation between income and political activity and that there is little difference between online and offline, except that online more people sign petitions. Looks like the Internet is not really broadening the social basis of political involvement.
Data source: Pew Internet & American Life Project
Article on new collaborative platforms for software development
One of the most interesting insights from the results of the Netflix challenge is that while the algorithms, the psychology, and good knowledge of statistics goes a long way, it was ultimately the cross-team collaboration that ended the contest. "The Ensemble" team, appropriately named for the technique they used to merge their results consists of over 30 people. Likewise, the runner up team ("BellKor") is a collaborative effort of several distinct groups that merged their results. It is easy to overlook this fact, except that it is not a one-time occurrence. The leaderboard for the recent GitHub contest also clearly shows over half of the top ten entries as ensemble techniques!
this should not not be on the front page
File-Sharing and Copyright, by Felix Oberholzer-Gee and Koleman Strumpf, Harvard Business School, Working Paper 09-132
From the Introduction:
The advent of file-sharing technology has allowed consumers to copy music, books, video games and other protected works on an unprecedented scale at minimal cost. In this essay, we ask whether the new technology has undermined the incentives of authors and entertainment companies to create, market and distribute new works. While the empirical evidence of the effect of file sharing on sales is mixed, many studies conclude that music piracy can perhaps explain as much as one fifth of the recent decline in industry sales. A displacement of sales alone, however, is not sufficient to conclude that authors have weaker incentives to create new works. File sharing also influences the markets for concerts, electronics and communications infrastructure. For example, the technology increased concert prices, enticing artists to tour more often and, ultimately, raising their overall income.
Data on the supply of new works are consistent with our argument that file sharing did not discourage authors and publishers.
Der Remix ist die kulturelle Form der Netzwerkgesellschaft. Felix Stalder beleuchtet in neun Thesen medienhistorische, technologische, politische, rechtliche, kulturtheorische, soziale und ökonomische Dynamiken, die den Aufstieg und die aktuelle Entwicklung des Remix prägen. In den Konflikten, die damit verbunden sind, spiegelt sich die Tiefe des aktuellen gesellschaftlichen Wandels.
Ganzes Essay als PDF (600 kb)
Update (Nov. 2009): Here is a pretty extensive summary of the paper in english.
CNN 报道 caonima 草泥马
The register has a story on an analyst's estimate (whatever that's worth these days) that youtube will be losing close to half a billion $ this year. They take this as an indication that the ad model is not working. After discussing two reasons why this might be the case -- either Google doesn't know how to do it (unlikely) or the model is fundamentally broken (more likely) -- they come up with an option for Google to make money out of youtube.
Of course, there's a third option for YouTube. Its parent company - whoever that may be - may want to cross-subsidize the operation in the hope that will drive traffic elsewhere on the site. Don't laugh - that's exactly what Google's new music service in China does. Google China pays rightsholders much more than 0.22p per song - about ten times as much, according to industry estimates. As Baidu has shown, music drives enormous traffic to the rest of the operation.
Update (14.04.): On the other hand, artists are demanding that Youtube increases it's payment to them.
Update II (15.04). A detailed breakdown of revenue and costs. The most interesting figure is the amount given to independent creators through it's revenue sharing program.
Revenue share: If you provide videos to Google and join its revenue sharing program, then you get a commission if ads are shown alongside your content. Credit Suisse estimates that YouTube will "share" away $24 million this year -- $66,000 per day.
Tanda Foundation is an experimental and informal not for profit held and run by its users. We aim to found new ways and means to support creative production, create a community interested in build a public fund via micro-donations and decide our own cultural agenda. The Foundation aims to be an accountable platform of funding for its users, where the process of application, reviewing, voting, and collection of funds is accesible to all its Patrons and Candidates.
The Foundation relies on 2.0 infrastucture to exist with minimal costs and labor. Think in an automatic not-for-profit.
For more information about our Grant 2.0 system, please visit our F.A.Q. section. Also visit the Desk dedicated to the administration, view the Works section and browse the documentation about the mechanisms used to collect funds.
A new article over at TorrentFreak indicates, once again, that free downloads and 'for-sale' distribution model might well co-exist, even if it's much too early to tell if this model is doing to be stable. They write:
Mininova, one of the largest BitTorrent sites on the Internet, will launch a new feature today that will help artists, labels and other content producers to generate revenue. The Dutch record label ‘Beep! Beep!’ is one of the first to try the new feature, which allows content producers to add ’shopping links’ to their free torrents.